ANALYSIS OF THE REPRESENTATION OF HAPPINESS EMOTIONS IN DINDAPS' DIGITAL ILLUSTRATIONS ON INSTAGRAM

  • Ashwa Dzikria Universitas Muhammadiyah Tangerang
  • Farah Yumna Salma Flastica Universitas Muhammadiyah Tangerang
  • Aghnia Nur Syahida Universitas Muhammadiyah Tangerang
  • Najla Khafifah Fadhilah Universitas Muhammadiyah Tangerang
  • Aliyah Universitas Muhammadiyah Tangerang
Keywords: Emotion Representation, Happiness, Digital Illustration, Semiotics, Instagram, Visual Communication Design

Abstract

This study aims to analyze the representation of happiness emotions in digital illustrations by Dinda Puspitasari (@dindaps) published on Instagram. Dinda Puspitasari is a Jakarta-based digital illustrator widely recognized at the national and international level, having collaborated with clients such as Dior, Adidas, Spotify, and Victoria's Secret. This research employs a descriptive qualitative approach using Roland Barthes' semiotic analysis method to examine the denotative, connotative, and mythological meanings embedded in the visual elements of her illustrations. The research focuses on three selected illustrations that explicitly represent happiness themes. The analysis reveals that Dinda Puspitasari represents happiness emotions through the use sof warm and vibrant color palettes such as yellow, pink, and peach; cheerful facial expressions of illustrated figures; decorative elements such as flowers and positive everyday objects; and a playful, feminine visual style. This study is expected to contribute to the academic discourse on Indonesian digital illustration from a Visual Communication Design perspective.

References

Kusrianto, A. (2007). Pengantar desain komunikasi visual. Andi.
Moleong, L. J. (2017). Metodologi penelitian kualitatif (Edisi revisi). PT Remaja Rosdakarya.
Mora, H. (n.d.). Bahasa tanpa kata: Seni sebagai medium komunikasi sosial dan budaya dalam perspektif semiotika.
Munthe, A. R., Hidayati, N., Hsb, P. S., Dalimunthe, F., Tanjung, M. D., Tambunan, M. T., & Al Washliyah Labuhanbatu, U. (n.d.). Psikologi warna dalam desain grafis: Implikasi terhadap persepsi audiens. Insight Journal, 1(2). Retrieved from https://journal.ynam.or.id/index.php/insight
Risi, A., & Zulkifli, Z. (2022). Kajian semiotika ilustrasi digital karya Agung Budi Santoso (Pendekatan semiotika Roland Barthes). MAVIS: Jurnal Desain Komunikasi Visual, 4(2), 47–55. https://doi.org/10.32664/mavis.v4i02.739
Rizky Fadillah, F., & Made Ayu K, S. A. (n.d.). Analisis semiotika Saussure dalam ilustrasi digital “Indonesia Baik-Baik Saja.” FHISIP Universitas Terbuka, 1(2).
Salam, S. (2017). Seni ilustrasi: Esensi, sang ilustrator, lintasan, penilaian. Universitas Negeri Makassar.
Sobur, A. (2013). Semiotika komunikasi. PT Remaja Rosdakarya.
Tinarbuko, S. (2009). Semiotika komunikasi visual. Jalasutra.
Vina Agustin, N. (2025). Analisis semiotika Roland Barthes pada karya fotografi dalam akun Instagram Oky Arisandi. ASKARA, 3(2).
Zahra, N., & Mansoor, A. Z. (n.d.). Warna dan emosi untuk media desain interaktif: Literature review. Jurnal Seni Rupa, 13.
Zulkifli, Z. (2021). Seni rupa di era disrupsi: Dampak teknologi dalam medan sosial seni rupa. Gondang: Jurnal Seni dan Budaya, 5(1), 134–143. https://doi.org/10.24114/gondang.v5i1.24964
Published
2026-06-08
How to Cite
Ashwa Dzikria, Farah Yumna Salma Flastica, Aghnia Nur Syahida, Najla Khafifah Fadhilah, & Aliyah. (2026). ANALYSIS OF THE REPRESENTATION OF HAPPINESS EMOTIONS IN DINDAPS’ DIGITAL ILLUSTRATIONS ON INSTAGRAM. Journal Informatic, Education and Management (JIEM), 8(2), 312~321. https://doi.org/10.61992/jiem.v8i2.422
Section
Articles